The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
Neon Gravity is an assassin who realizes that her target, as well as her current reality, are not what they seem. This short film is a futuristic story that takes place in Downtown Miami.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.