Lil' Bastard 

Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.

Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint.  The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters. 

An action film led by two queens, fighting for what they believe in through power and pain.

The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.