At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Dora is the superhero we didn't know we needed.
