'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

With nothing but partying and music on his mind, Jake is forced to take a hard look at himself and the ashes around him after life and his singing career slowly falls apart. Jake's old flame, BECCA, suddenly reappears back in his life after seeing her again at a local music show. Good girl Becca, never forgetting who Jake is, makes him work for it only to fall for him again. His mother, MIA, harbors a painful secret- the father Jake thought was dead is alive. To protect Jake from the pain of knowing what his father, BO, had become after a horrible accident, Mia thought it best if Jake believed BO was dead. Jake eventually has a -random- encounter with BO on the street in a Nashville suburb that sets off a chain of events to bring Bo back into his life and hopefully reconciliation to the family.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
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