Ken Takakura's screen debut, following his admission into Toei ranks via the studio's annual New Faces program, came surprisingly enough in this pair of Okinawa karate films. The two-parter was released on Jan. 29, 1956 as two thirds of a triple feature. Both halves run just under one hour. The fighting is actually pretty good for the time, and it's fun to see Takakura as an impatient, bearded karate rascal.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
This Nickelodeon live-action TV series features strong Black representation.
Andor is an origin story where each side will do whatever it takes.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
