Disney Pixar's "Turning Red" - Mei as a Red Panda Learns Acceptance
Growing up is a challenge for everyone.

A psychological thriller. One quite ordinary summer morning five different and unacquainted people leave their apartments at different floors and enter the lift. The doors close behind the last passenger and the lift starts descending. The moments pass, but the lift is not going to stop, the impression of endless moving appears and grows. Panic transforms into fear with every passing minute, situation is getting out of control. The lift cage transforms into closed space, into moving rattrap from which there is no escape. How would the five people behave in such hopeless situation? Their souls are assaulted by doubts and fear, they are filled with overwhelming feeling of inevitability and despair as around them the ordinary is turning into the unreal. Have you ever wondered what your companions in the lift are? Are they really what they claim to be? Or maybe you should fear them?
Growing up is a challenge for everyone.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.