Dracula (2025)’s Yearning for His Lover
Dracula evolved from a person to a monster and then from a monster to a person.

Esther receives an anonymous diary, written 20 years ago by a young girl in hospital. The girl’s story resonates deeply with Esther, who is still suffering from a recent break-up. Supported by her best friend Elena, Esther becomes obsessed with finding the diary’s mysterious author and getting to know what became of her. Her investigation turns into a genuine introspective journey for Esther to heal, move on with her past and eventually come back to life.
Dracula evolved from a person to a monster and then from a monster to a person.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.