'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Chatham, Ontario, 1998. Eighteen-year-old Jennifer Jenkins is brutally shot to death by multiple rifle rounds in her family home. The main suspect: her brother, Mason Jenkins, who fled the scene of the crime.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
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