Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A successful New York architect with a beautiful wife and an adoring young son is forced to reevaluate his outwardly idyllic life after a chance meeting with an urban designer reveals the cracks in the foundation of his paradise.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
'Tuca and Bertie' (2019) is an animated series centering around best friends of the same name as they traverse the challenges of their thirties.