A Diwali Dilemma: A Direct Inner Conversation about Minority Struggles
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.

La vie quand même (LIFE AFTER ALL) is another film in a series collectively called 'Tales from the Orphanage'. The story is simple on the surface (children coping with the sudden loss of parents), but in the hands of writer Sophie Tasma and director Olivier Péray this storyline unfolds a tale of brotherly love that is well worth watching.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
A story of a magical dragon brings great representation for Chinese culture.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.