Since the 1960s, the Rolling Stones, the incarnation of "sex, drugs and rock'n'roll", have had a special relationship with France. From the chaotic concert at the Salle Vallier in Marseille in 1966, to the recording of "Exile on Main Street", their album written under the influence in a villa on the Côte d'Azur, to Mick Jagger's mythical wedding in Saint-Tropez, the British rock band has lived through some crazy French years. Never-before-seen images and interviews with collaborators, rock critics and musicians lift the veil on the Stones' passionate relationship with France.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
