The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A woman's granddaughter is placed for adoption. Her only hope of seeing her grandchild again is to put clues to her birth family's identity in the sealed adoption file the child can have access to when she reaches legal age.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Like most young people, Leviticus is imperfect. But I love it anyways.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.