Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

The filmmaker Théo Angelopoulos died on January 24th, 2012, knocked down by a motorbike on the set of his final film. In his unfinished film, he was telling the destinies of the victims of the Greek crisis. The list of victims of the crisis has only grown longer, this destitution echoing another that Théo had sensed was coming: that of the massive arrival of refugees who find themselves trapped in Greece by the closure of the borders. Yet citizen resistance is being organized and fights every day to bring those in danger of obliteration out of the shadows. Ironically, the ambulance supposed to come to his rescue broke down because budgetary restrictions had made it impossible to maintain the vehicle. The crisis itself killed Théo. This is a letter addressed to him in the form of a film.
Not every silence is empty. Some are filled with things too heavy for words.
A young girl named Hailey Mays sings a country song that is named after the film's title.
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
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