With a contemplative letter to a friend as its point of departure, this video essay examines the complex, paradoxical visuality of the atom bomb in China. From 1960s military documentaries to contemporary CGI-enhanced fictions, a visual trope of the communal “People’s Bomb” was orchestrated in counterpoint to the evils of imperialism and the untamed wilderness of the Gobi Desert. Amid the ecological crises of the Anthropocene, Letter to T suggests that despite the disenchantment with and the re-politicisation of the image, we might find radical sources of connection and endurance in nuclearity.
"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
