Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

A demobbed soldier, Gordon Laid, returning from World War II meets Maxine Lupercal, a member of a traveling troupe of actors returning to England on the same ship. As Gordon closely resembles a member of the troupe of actors, mistaken identity causes him to become embroiled in various murders and an international espionage plot involving a cigarette lighter that strangely affects electricity. The action reaches its comical climax on stage with Gordon and his double as the spies and the police converge on the theatre is a desperate attempt to retrieve the missing cigarette lighter.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
Not every silence is empty. Some are filled with things too heavy for words.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.