“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

In this sequel to Let Me In, Jessica (Reagan Foxx) knows that her old life with her family is completely ruined, so she has agreed to do whatever her demonic doppelganger Tess (Shay Sights) wants. As Jessica drives down the road with Tess riding beside her, Tess says that Jessica needs to go through an initiation first. Jessica doesn't know what that means, but then they spot three men (Isiah Maxwell, Mighty Dee, and Slim Poke) who are stranded because their car ran out of gas. Seeing the perfect opportunity, Tess tells Jessica to 'help' them. Jessica catches on, so she pulls over and works with Tess to seduce the men and then complete the sinister initiation. Once the initiation is complete, Jessica hungers for more, and Tess knows what their next step should be. They turn their sights on a family: Linda (Lexi Luna), her wife Teri (Sophia Locke), and their stepson Craig (Tyler Cruise), corrupting them as the next part of Tess's plan to build an army of lookalikes...
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.