“Elsewhere” is Heartbreaking and Heartwarming
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.

Isaac Julien's visionary film Lessons of the Hour explores the incomparable achievements of Frederick Douglass, America’s foremost abolitionist figure. After escaping slavery in Maryland, Douglass gained prominence on the abolitionist circuit as an extraordinary orator, becoming the most photographed American of the 19th century. Julien’s project is informed by some of Douglass’s most important speeches, such as Lessons of the Hour, What to the Slave Is the 4th of July?, and Lecture on Pictures, the latter being a text that connects picture-making and photography to his vision of how technology influences human relations. Julien's work gives expression to the zeitgeist of Douglass’s era, his legacy, and the ways in which his story may be viewed through a contemporary lens. The presentation also includes photographs and tintypes produced in conjunction with the film.
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Fjord, like its story, is not a conclusion, but a beginning.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
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