A group of approximately 30 lesbians take a holiday in Sitges, Spain, enjoying sun, sea, and social life along the Mediterranean coast. The documentary captures their days at the beach, nights out in bars and clubs, and moments of conversation, laughter, and friendship. Through candid footage, it presents a snapshot of lesbian travel culture and community in the early 2000s, highlighting camaraderie, leisure, and personal freedom. The film emphasizes group dynamics, playful interactions, and the joy of gathering in a warm, scenic location. Rather than focusing on activism or personal struggle, it celebrates visibility, connection, and the pleasures of shared experiences. Sitges itself becomes a character, providing a vibrant backdrop that frames the holiday and social rituals.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
