Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

The lustful lesbian confessions continue in volume 4 of Sweetheart's popular series. Newcomer Kate Kastle is a middle aged mom with a secret crush on her daughter's friend Sinn Sage- but does Sinn have an agenda of her own? Meanwhile, Darla Crana shares memories with young Wendy Breeze one hot, less night, leaving the both of them with a torrid secret by dawn. Melissa Monet angrily confronts her lover's daughter Mia Knight, only to be taking by the younger girl's resemblance to the women she loves, and Elexis Monroe teaches teenage innocent Kasey Chase the pleasures of lesbian love.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
'Blue Beetle' is another solid addition to the superhero film canon.
A code adopted by gay men and LGBTQ+ individuals in general to subtly disclose your identity to another, “friend of Dorothy” is widely considered to originate with Judy Garland.