"Kajillionaire": A Strange, Beautiful, and Gentle Story of Lost and Found Home
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.

After a series of rapes in broad daylight in 1985, a demonstration takes place in September. Leaflets accuse the "immigrant criminal underworld." Immigrants and Muslims are blamed. Eight feminists: Claire Atherton (editing), Claire Auzias, Marie-Jo Dhavernas, Catherine Deudon, Anne Faisandier (camera), Liliane Kandel, Nadja Ringart and Ioana Wieder want to testify and fight sexism wherever they come from and whoever the authors are. They decide to realize a documentary. They meet Souad Benani and Malika Bennabi, activists of the group Les Nanas Beurs, then Fatima and Rosa, activists of SOS Racisme. Then three anti-racist activists : Harlem Désir, Adil Jazouli, Sami Nair to discuss it.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
This is a film that is going to leave some people bored, and some people thrilled.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.