'Cyrano' (2022): A Bittersweet Tale of Unrequited Love and Self-Acceptance
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.

Avignon. Aix en Provence. A troupe of transvestites: “Les Mirabelles”. Four boys, one girl. Dab Germaine, Loulou Bonheur, Marie Bonheur, Nini Crépon, Hubert Lulu. A show. Daily life. Behind the scenes. Makeup. The cafe terrace. Friends, lovers, groupies. Success. The bides. Gay or straight? The two Gs. The clothes. The market. The parade. The Guerrillas: Queer in La Ciotat. A pianist. Talent. A column, and that's it.
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.
“There’s always something you can do…to make people feel like they’re welcome”
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.