Taking up the concept of the ABCs of Death films, 26 French-speaking videographers will receive one of the 26 letters of the alphabet and will have, with this letter, to stage a story about fear.
Mickael J Manfield, Victor Bonnefoy, Alexandra Mignien, Lucas Cothias, Antoine Goya, Romain Houles, Matthieu Blomme, Zoltan Zidi, Drawer, Judith Beauvallet, Antony Pazzona, David Benmussa, Laurent De Champlain, Valentin Brehert, Antoine Gardin, Jérémy Buis, Sandro Ponzetta, Wilfried Kaiser, Jules Trassard, Nicolas Delage, Azz l'épouvantail, Romain Priour, Olivier Hernandez, Clément Schmidt, Gilles Binot, Johnny Barthe
Director
Anaïs Parello
La femme (segment "Angle mort")
Jean-Paul Debosque
L'homme (segment "Angle mort")
François Binot
L'homme (segment "Bras")
Soleysa Taleb
Le bras (segment "Bras")
Mirko Verdesca
Pierro (segment "Comédiens")
Jérôme Sire
Harry Kino (segment "Comédiens")
Jane Doe
La narratrice (segment "Forêt")
Antoine Goya
L'homme (segment "Forêt")
Agatha Maksimova
Jana (segment "Du sang")
Angélique Meyns
La Mère (segment "Jambe")
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
The film is a powerful narrative encompassing a theme that many people can identify with.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.