What Does a Sympathetic Portrayal of Sexual Assault on Screen Look Like?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Les enfants ont des oreilles
After reading Didier Eribon’s Returning to Reims, in which the author returns to the working-class village of his childhood, Kumail Syed realised that his life was shaped through a very different experience of class than those around him. Up until that point the filmmaker had denied his background. When he realised that his rejection was an insult to the reality that his parents had experienced, he decided to revisit the neighbourhood of his childhood. Les enfants ont des oreilles bears witness to Syed’s class of origin through the form of a filmed diary. It shows what the working class can represent today through tableaux vivants from the neighbourhood, as well as through the testimonies of the director and his mother, and the people he encountered during his return.
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After reading Didier Eribon’s Returning to Reims, in which the author returns to the working-class village of his childhood, Kumail Syed realised that his life was shaped through a very different experience of class than those around him. Up until that point the filmmaker had denied his background. When he realised that his rejection was an insult to the reality that his parents had experienced, he decided to revisit the neighbourhood of his childhood. Les enfants ont des oreilles bears witness to Syed’s class of origin through the form of a filmed diary. It shows what the working class can represent today through tableaux vivants from the neighbourhood, as well as through the testimonies of the director and his mother, and the people he encountered during his return.
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