Holed up in a small Normandy town, Louise hides from her ghosts as she looks after grumpy old Theo, the retired lighthouse keeper who shares her passion for ornithology. As she wanders the twisted shores, observing birds and people alike, Louise also keeps track of old Florelle, another broken soul who searches the beaches, seemingly waiting for the crashing waves to return something to her. Observing the locals' reactions to Lambert's return, the heir of a family lost at sea, Louise is intrigued by his past but, at the same time, attracted to him. As their relationship deepens, they start to unravel the web of secrets that have haunted the small village for decades. Together, they struggle to uncover the truth that could set them both free.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
