Spider-Man: Across the Closet with Miles Morales and Gwen Stacy
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!

Since his arrival in France as a child, the traumas of exile, abandonment, and poverty have shaped the identity of Alix Mathurin. As a teenager, rap and the streets led him away from school. Endowed with a strong presence and a sensitive pen, Kery James quickly becomes the voice of a generation of young people from the suburbs who are aware that life and they themselves are deteriorating together. At the same time, he plays with fire within a gang of drug dealers and robbers. The murder of one of his friends prompts him to stop everything, both rap and the path of delinquency. Converted to Islam, he resumes rap as a missionary because he knows that his voice is influential.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
Spoiler Warning
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.