Two tourists in Provence meet an old naive peasant painter who tells them the extraordinary story that happened in the village in 1890: Amédée, the teacher, succeeded in stealing.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
An action film led by two queens, fighting for what they believe in through power and pain.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
