
Ravel and Colette's fairy ballet choreographed and designed by Jiří Kylián. A seven year-old boy, grumpy and unwilling to do his homework, is scolded by his mother. In an outburst of anger, the young boy takes it out on every object around: a tea pot, a kettle, a book, a clock... until he slumps on an old armchair, worn-out. Suddenly, fantastic events happen. Objects come to life, animals start to chat, and they all plot revenge. Terrified, the young boy calls his mum, but gets no response. The creatures rush at the young boy. However a squirrel, hurt in the battle, is rescued by the child. Full of regrets, the creatures cease to torment the young boy, and forgive him for his past wrongdoings.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.