A Survivor's Story: Breaking Down the Season 4 Finale of ‘Handmaid’s Tale’
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.

Lena Philipsson – Live as 006 In 1990 is a theatrical and confident concert where Lena steps forward in a playful agent-inspired role. The military green stage costume, the dramatic lights and the cocky attitude give the performance a clear visual identity. The music is driven by tight pop arrangements, strong rhythm and an intense presence at the microphone. The performance mixes humor, style and energy and shows an artist who dares to make the pop concert both a stage personality and a visual spectacle.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.