Asha's 'Wish' (2023)
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.

This film is a limited portrait of Stan Brakhage. The subject attempts to describe the experience that he is involved in by means of immediately responding to the aural and visual stimuli which surround and affect him. Brakhage involves the viewer in the subjective experience of the space in which he is seated, the camera, lights and technicians which created the experiential process. He further extends the parameters of the film's scope through the interjection of real or possibly apparent silence. -S.G., from The Film-makers' Coop
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Overall, The Shining is a great film to watch for its atmosphere and setting. While the characters’ portrayals could’ve been more accurate to the book, they’re all still memorable nonetheless.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.