Documentary charting the fascinating life and work of Lee Miller, a model for Vogue in 1920s New York who became the only female photojournalist to cover the Second World War. Having given up photography in later life and virtually disowned her own work, Miller's extraordinary archive of 40,000 negatives was only rediscovered after her death. George Melly, David Hare, friends, colleagues and her only son, Tony Penrose, trace the story of her unconventional life through her own remarkable pictures and photographs, as well as rarely seen archive footage.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
