Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

Abbé Donato believed he could live a quiet little life, far from all temptation, in the village of Sainte-Urulle, well placed in the race for the title of asshole of the civilized world. For temptation is something he would do well to be wary of, he who, beneath his cassock, hides a body made for the pleasures of love. Pleasures that the Baroness de Bailleux, a young nymphomaniac aristocrat, has nevertheless decided to introduce him to. Having fallen under her spell, the clergyman discovers that she is also the muse of a Satanist priest who officiates in a neighboring town, Canon Debruges, and, incidentally, the mistress of a psychiatrist who is a member of the Gilles de Rais fan club. Having become the baroness and the canon's plaything, the abbot enters a downward spiral that will take him to the limits of morality and even madness.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
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