Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Le Poids du lieu, a virtual choreography in three acts. Act II: Field poster

Le Poids du lieu, a virtual choreography in three acts. Act II: Field 

In an abandoned city, in the middle of a field left barren by the harvest, on a deserted railway track, travels an autumnal figure transformed by the places she inhabits. First, a playful sprite who wanders the frontier between asphalt and wasteland under a sparrowhawk’s gaze, she changes form as she enters a flat stretch of farmland, now a nomad.Like migrating birds, the exile must make this journey to come back to the self. The meandering ends in the forest. Now a witch, this strange figure peacefully returns to the sand, the river, the plants and the roots.With a calm wildness, amidst the rustling of raven wings, she is absorbed into the earth, finding solace at last.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In an abandoned city, in the middle of a field left barren by the harvest, on a deserted railway track, travels an autumnal figure transformed by the places she inhabits. First, a playful sprite who wanders the frontier between asphalt and wasteland under a sparrowhawk’s gaze, she changes form as she enters a flat stretch of farmland, now a nomad.Like migrating birds, the exile must make this journey to come back to the self. The meandering ends in the forest. Now a witch, this strange figure peacefully returns to the sand, the river, the plants and the roots.With a calm wildness, amidst the rustling of raven wings, she is absorbed into the earth, finding solace at last.

Rating:
Genre:
Written By:
In Theaters:
Box Office:

Runtime:27 minutes
Studio:

Articles You May Like


Experimenting with Swimming, Trauma, and Poetry in "The Chronology of Water"(2026)

The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.

Simina Munteanu