“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.