Gemini Man Review: A Poor Utilization of a Promising Cast
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
Le Départ d’Eurydice
“Le Départ d’Eurydice” (1969) is a metaphor of the time, a sort of "documentary allegory" on the 60 s and on its “underground bohemia“. In spite of its impressionist and fragmentary aspect, in a poetic and musical structure, the film includes some narrative elements. A young writer hesitates between the love for his girlfriend and the obedience to the command of the “guru” of an artistic group which requires of him, like pledge of fidelity, to kill his love partner. He executes the Death ritual in front of the sea…but in vain.
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“Le Départ d’Eurydice” (1969) is a metaphor of the time, a sort of "documentary allegory" on the 60 s and on its “underground bohemia“. In spite of its impressionist and fragmentary aspect, in a poetic and musical structure, the film includes some narrative elements. A young writer hesitates between the love for his girlfriend and the obedience to the command of the “guru” of an artistic group which requires of him, like pledge of fidelity, to kill his love partner. He executes the Death ritual in front of the sea…but in vain.
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