
"There are people who never go and sit on a public bench and there are people who sometimes go and sit on a public bench. These are very different people, the former walk very fast, the latter arrive, stay a moment and then leave. And it was the latter who interested me in particular. What do they do? Do they talk to each other? What do they say? My idea was to make a short film about that, showing five people who are very different from each other but who were all able to come and have a chat for a moment on a public bench." (Patrick Van Antwerpen)
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.