"There are people who never go and sit on a public bench and there are people who sometimes go and sit on a public bench. These are very different people, the former walk very fast, the latter arrive, stay a moment and then leave. And it was the latter who interested me in particular. What do they do? Do they talk to each other? What do they say? My idea was to make a short film about that, showing five people who are very different from each other but who were all able to come and have a chat for a moment on a public bench." (Patrick Van Antwerpen)
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Friendships are tested when two girls have a crush on the popular boy at school.
