
Laura is a 45 year old married woman, with a teenage daughter. Laura starts to express a feeling of discomfort both at home and work, due to a sexual abuse. A new director, Stefania, comes to the company where Laura is working, and the two women eventually become friends. Laura will find the strength to open herself up to Stefania and agree to go to a Center for women against violence, following the advice of her new friend.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
What happens to an inseparable bond when love for competing morphs into competing for love?
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.