Pioneering comedy legend Max Linder wrote, produced, directed and starred in Seven Years Bad Luck. Hilarious misadventures begin when Max' butler, chasing a maid, breaks an expensive full-length mirror. The butler persuades the cook, who somewhat resembles Max, to stand behind the frame and be Max's reflection. This gag, developed by Max, has become a classic of film and even television borrowed by everyone from the Marx Brothers to Abbott and Costello to Red Skeleton.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.
