“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Regi suffers from depression since childhood, being raised by wealthy parents who have little time for her, but plenty to fight with and cheat on each other. While in college she meets and becomes close to Rajib, a drug dealer. Developing an intense hatred for men, inspired by her violent and insensitive father, she identifies as a lesbian. Her introduction to the drug-scene engulfs her and she develops a cocaine habit which rapidly accelerates into a preference for White China heroin. She meets and falls in love with Rajibs ex drug-dealing partner, Vela, who has already become a hardcore junkie. Her and Vela's downward spiral into chronic addiction is portrayed powerfully throughout the film as is their intense attachment to each other. The plot (based on a true story) is exceptional in its depiction of the drug problems in Indonesia, the often terrible 'solutions' to these problems, and the reasons behind why they occur.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.