I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

In a village crushed under a brutal landlord's rule, fear silences the poor, and justice is denied. When a young woman constable challenges the system and an innocent family is burnt alive, outrage erupts into a violent uprising. What follows is a costly fight to reclaim dignity, justice, and the power of the Constitution.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.