
A young widow wants to carry on with her husband's work:managing a pine plantation where they extract resin;but most of all,she wants to have electricity installed in her valuable property.In this place,it seems that 1789 never happened and that time stood still:her workers,circa 1920,do not receive any salary and ,like the peasants in the middle ages,have to bring their production to their landlady. But her progressive ideas come up against men still remembering WW1 and against her bourgeois peers.Her foreman ,first bewildered ,is finally won over by his boss' resilience and strength of character.For her own good,the young heiress is too ahead of her time though.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."