Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
L'allegro fantasma
The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.
Rating:
Genre:Comedy
Written By:Carlo Ludovico Bragaglia
In Theaters:
Box Office:
Runtime:67 minutes
Studio:Produzione Capitani Film, Italica Films
Articles You May Like
Discovering Self-Identity in Santa Girl
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
Olivia Rodrigo's 'driving home 2 u': How She Became Well-Recognized in the World
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
Cruella has a Heart After All
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
Mississippi Masala: A Romance that Interrogates Racism from Within and Without
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
‘RUSTIN’: "Unsung" Is An Understatement
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement