“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

For several years now, Peter and Claire have been a happy, uneventful couple. They both met online. Taking advantage of a seminar Peter has to attend, Claire invites André, her "email lover," to their home. Needless to say, the seminar is Peter's excuse to meet Eliane, his own "email lover"! But at the last minute, due to damaged vertebrae, he is unable to leave... The song "Rien vu, Rien entendu, Rien parlu" was composed and written by Stéphane De Coster and Marc Maloens. Recorded at the Palais des Congrès in Liège on December 23, 2005.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.