More than 100 years ago, explorers raced to discover the South Pole. Now scientists are racing to discover the secret subterranean world of rivers and lakes buried miles beneath it. In 1974, scientists made a sensational discovery: a vast lake underneath the icy desert of Antarctica, untouched for 400.000 years, Lake Vostok. In spring 2012, after 40 years of drilling, Russian scientist broke through the ice. In two different narrative strands the film tells the story of the evolution of life and climate, the story of four decades of exploration in the coldest place on Earth, and it accompanies the scientists on their final trip to the camp. The film also explores the mythologies and legends surrounding Antarctica – from H.P. Lovecraft to James Cameron: the ‘Mountains of Madness’ have lured many into their realm – not many left unscathed.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The 'Hawkeye' season finale features all kinds of cool characters and resolves its loose plot threads efficiently, yet it's lacking when it comes to the vital development of its characters.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Falling in love with 'Rocketman" all over again.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
