Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

On the occasion of the 150th anniversary of the first ascent of the Aiguille Verte, the Compagnie des Guides de Chamonix is producing a film retracing the major dates of this summit which is so dear to it. 'La Verte' has been the object of desire for many mountaineers for a century and a half. Big names have paraded in search of this 4122 meter summit: Edward Whymper, Michel Croz, Albert Mummery, Armand Charlet, Marco Siffredi... La Verte has had a strong impact on the history of mountaineering, inspiring Gaston Rébuffat who warned the future contenders for this summit: "Before the Verte you are a climber, in the Verte you become a mountaineer".
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.