‘Exhibiting Forgiveness’: Paint Through The Pain
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”

A teacher with a blank notebook -the great Liliana Bodoc- arrives at a school in the middle of the desert behind the trail of the Huarpes. As in her books, Bodoc speaks to the children frankly about important things—water, the wind, death. Although, rather than speaking to them, she asks them—she looks into their stories and invites them to give shape to their ideas. But Lagunas is not exactly a documentary about Liliana Bodoc; it’s about lots of things—about the ghosts that inhabit a territory, about the bridges between generations, about memory. In Lagunas there are curious children, there are teachers and shamans, there are bodies buried in the sand, there is a culture and a language that refuse to become extinct. There is a filmmaker who, as he records, asks himself about his memories and about the memories he is leaving to his children. And there is also a writer who proves that in order to write, first you have to know how to listen.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.