Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

Things are hopping at a certain Mexican cafe and then Foxy walks in and the customers go really wild.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Although Tuner is technically a heist movie, music and sound are woven into almost every aspect of Niki’s story. That’s what made Tuner such a pleasant surprise. I expected a film about music and discovered a heist movie, only to find that music was still at the heart of it.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.