“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Made by Bill and Louise Etra with the Rutt/Etra Video Synthesizer in 1974. "A short piece of Gothic horror."
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)