Once again, Lady Ninja Kasumi is a candidate for a dangerous mission that will use all of her abilities as both a kunoichi and a woman. Her clan elder approaches a specific former member of their group, Sakichi, for his aid in the matter. Unfortunately, due to a tragedy and a lost love, he is unwilling to lend his help to the Sanada ninja, and Kasumi volunteers to handle the matter. Ultimately, she is captured and it is up to Sakichi to help her get to safety... but not before she settles the score with a rival lady ninja.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
This short film was an overall creative success.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
