My Father's Dragon is a Legendary Tale
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
La sorcière et le martien
Myriam, an orphan, learns that she is going to change foster families. She is often mocked for her naivety, but this candor allows her to see what others do not: talking animals or even benevolent witches who guard the forest overlooking the city. Only she could believe in the destiny of young Bilal who, he claims, is going to join his parents on the planet Mars. This first summer day will be their last in the land of their childhood.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Myriam, an orphan, learns that she is going to change foster families. She is often mocked for her naivety, but this candor allows her to see what others do not: talking animals or even benevolent witches who guard the forest overlooking the city. Only she could believe in the destiny of young Bilal who, he claims, is going to join his parents on the planet Mars. This first summer day will be their last in the land of their childhood.
Rating:
Genre:
Written By:Thomas Bardinet
In Theaters:
Box Office:
Runtime:77 minutes
Studio:Massala Production, ABCDEFLOIRAC
Articles You May Like
Trans Allegories in Film: 'The Little Mermaid' (1989)
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
Maybe We’ve Finally Learned Our Lesson - Jurassic World: Rebirth
Life may find a way, but is it worth testing its fierceness and how far it will go?
'La Loca Y El Feminista' (MiamisFF Review): A Necessary Dialogue
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
"The Father" is a Depressing But Insightful Look at Dementia
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The Critters Are Going 'Back to the Outback'
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.