'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

The incredible adventure of what was supposed to be a three-month inventory project turned into a vast undertaking lasting more than fourteen years, an extraordinary reconstruction and restoration with unexpected twists and turns of one of the masterpieces of world cinema: Napoleon as seen by Abel Gance (1927).
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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